Submissions

“Go With The Flow”: Monday, October 6th

Stories about accepting reality and not fighting it, river stories, stories about female menstrual cycles.


“Train Wreck”: Monday, November 3rd

Stories of terrible disasters, people that need to get their life in order.


“Outside The Box”: Monday, December 1st

Stories about thinking differently, unconventional wisdom, shipping.


“Slippery Slope”: Monday, January 19th

Stories about dangerous pathways, situations that can spiral out of control or into trouble.


“Two Peas In A Pod”: Monday, February 9th

Stories about siblings, best friends, lovers.


“Can Of Worms”: Monday, March 16th

Stories about difficult issues, array of problems, fishing.


“Writing On The Wall”: Monday, April 20th

Stories about obvious scenarios that don’t want to be addressed, graffiti artists.


“Happy Camper”: Friday, May 18th

Stories about camping, happy people.

How Can I Participate in Oral Fixation?

To submit your story for consideration, please read this information carefully then fill out the following form in its entirety for producer Nicole Stewart.

What are the Requirements for My Submission?

Your story must be true, have happened to you, and must be between 1200-1500 words in length.  If your story does not exhibit an obvious and direct connection to the theme, it will not be considered.  It is advised that you write a piece specifically for a theme that speaks to you as opposed to attempting to tailor a piece you’ve already written to fit in with one or more of the themes.  Neither poetry nor songs are acceptable submissions.

What are you Looking For?

We are most interested in tales of transformative times of life: times when an event or series of events changed you.  You were one person before and became someone new afterwards and that difference is still with you today.  As far as tying in with the theme, we’re looking for either a literal or a figurative take on the theme.  See below for suggested takes on each theme.  We love stories that are funny, thrilling, horrifying, exhilarating, embarrassing, sexy, poignant, bold, raw, revealing, and any combination of the above.  The show is generally R-rated so avoid profanity unless essential and feel free to include the raw truth on matters of sex, drugs, and violence.

What do you Suggest as far as Story Structure?

The most compelling stories possess a clear beginning, middle and end.  In the beginning, share the context of your life before the story happened.  Remember that YOU are the main character of your story (yes, please tell it in 1st person) and that your character must be developed.  Don’t assume the audience knows anything about you.  We need to understand who you were (and where and what you were doing) before the event or series of events began so that we relate to you and root for you as you move through your journey.  Along the way, let us in on why you made the choices you did and how you were thinking and feeling at the time.  Dialogue can be a useful tool.  In the end, reflect on how you have changed because of your story.  Let us in on where you are today and why this story remains significant to you.  Stories are most often told in chronological order, but that is not a requirement if you are inspired to create an alternate structure.

What Kind of Tone is Appropriate?

The medium of writing personal nonfiction for the stage needs not be poetic or formal.  Rather, your story should read in a way that sounds authentically YOU as if you were telling a dear friend about a time in your life they don’t know much about.  Allow your personality, sense of humor and point of view to show through your writing.

What is the Editing Process Like?

Your submission will be considered a first draft.  It is the story itself, its connection to the theme, and your ability to submit a story appropriate to the topic that is considered most heavily.  If you are accepted, then you’ll go through an editing process to pull forth the truthiest, juiciest parts of your story and get you ready for the stage.  This involves a couple of thirty minute video conferences with Nicole Stewart during which she will ask you probative questions designed to stimulate your memory and flesh out the most relevant details of your story.  In between each session, you’ll be expected to apply the notes given to you into an updated draft.  Your draft will be finalized by the Friday before the Saturday rehearsal.  It must read aloud at approximately 8 minutes.

What Happens at Rehearsal?

At the rehearsal, you’ll meet the other storytellers, get acquainted with the space, receive training on how to best perform your story and get a chance to read your story aloud both for time and for notes on your delivery.  On the night of the show you’ll read your story from the page.

How Do I Pick a Show to Submit For?

See which you respond to instinctively. There are a few ideas listed with each theme, but feel free to come up with your own unique take.  Then strap yourself to a chair and spit your story out onto the page- sometimes this is the hardest part so turn off your internet connection, put on some music and/or light a candle, and dig into your memory to mine the best, most relevant parts of your life experience that resonate with the theme you selected.

When Do I Submit?

Submissions may be sent in well in advance.  You are encouraged to strike when the iron is hot- when inspiration finds you.  But note that casting won’t be finalized until the dates listed under submission deadlines.  In other words, if you submit a story in October for the March theme, don’t worry if you haven’t been notified one way or the other until late February.

What is the Time Commitment?

In addition to the 2-3 thirty-minute editing sessions over the three week period after you are cast, you’ll need to set aside time for working on your revisions (allow 2 hours each for 2-3 revisions).  You’ll be expected to rehearse your story on your own by reading it aloud several times before the group rehearsal.  Then you must attend the two-hour mandatory rehearsal the Saturday before the show (exact time and rehearsal location will be stated in your acceptance package).  Finally, you will be expected to be at the venue from approximately 5-10pm on the night of the show.  Be sure to confirm your availability for both the performance and the rehearsal before submitting.

“Go With The Flow”

Submission Deadline:  TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: Monday, October 28th @ 8pm

“Train Wreck”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: Monday, December 16th @ 8pm

“Outside The Box”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: Monday, January 27th @ 8pm

“Slippery Slope”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: TBD

“Two Peas In A Pod”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: Monday, March 17th @ 8pm

“Can Of Worms”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance: Monday, April 14th @ 8pm

“Writing On The Wall”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBD
Performance on Monday, May 5th @ 8pm

“Happy Camper”

Submission Deadline: TBD
Casting Announced: TBD
Rehearsal: TBA
Performance: Friday, June 20th @ 9pm

OF-SUBMIT

To submit your story for consideration, please read the DETAILS tab thoroughly then fill out the following form for producer Nicole Stewart.

Be sure to include the show for which you’d like to be considered.  You may submit for multiple shows, just send separately.

*Please note: All Season 3 shows are on Monday evenings at 8:00pm at The Winspear Opera House with a two-hour mandatory rehearsal the Saturday afternoon prior from 12:00-2:00pm.  Be sure to confirm your availability for both the performance and the rehearsal before submitting.  “Lost in Translation” is not part of Season 3 but you can still submit for it here.

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